In this technique, we're taking the … If you don’t need a room capture, you could move the room mic to the kick as a second mic, hi-hat or snare bottom. The overheads are Oktava MK012s. ... ③ A/B Spaced Pair.
But if you aren’t recording in a professional studio, I’d focus on just two: the spaced pair and the X/Y pair. You could use what’s called a spaced pair configuration, which entails spreading the mics out on either side of the kit until you find a good balance of kit sounds and left-to-right image. It even works well for the weathervane method (which I’m testing right now on my own kit). Here's my overhead mic placement comparison demo using two Earthworks SR25 mics in 4 different settings: XY, ORTF, Spaced Pair and Recorderman. ... Multi miced drums, usually recorderman or glyn johns as OH, and … ... more tangible image. That is a "Modified Spaced Pair" the Recorderman method with a FOK about 3' out. A great way to start is the recorderman method or the Glyn Johns technique.
In this technique, we're taking the principles of Recorderman and from Spaced Pair. “Blumlein Microphone Technique” refers to a stereo recording method that captures the spatial characteristics of a real-world sound. Overhead Mic Technique Shootout - Recorderman vs Spaced Pair
But it’s worth a try. Lives for gear.
The Recorderman technique is probably the newest and least-known technique here, although it is conceptually similar to the overhead configuration of Glyn Johns' more-famous approach. Like the spaced pair option, you must measure and make sure both mics are equidistant to the … With all available heads, a stereo … It employs a pair of large‑diaphragm cardioid capacitor mics, with one positioned directly above the snare drum at a height of around 5‑6 feet. While Blumlein is a popular overhead setup, using spaced pairs on a drum kit is favored by many engineers because it gives less focus on the center of the kit and more on the cymbals.
Both have a similar vibe but create a slightly different stereo image/balance. 1. By placing two microphones several feet apart, a wide stereo image can be achieved.
Spaced pairs have the potential to be wider-sounding, and you might find that it's easier to reduce the contribution of the snare in the overheads, which may or may not be …
For once, in all of the … The “Recorderman” technique is a close-overhead technique that attempts to put both mics equidistant from both the snare and the kick drum. One mic stands about 32'' above the snare, pointing straight down, while the other sits over the drummer’s right shoulder, pointing at the snare. The ITDs and IIDs between the microphones will be substantial. Did a mic comparison experiment yesterday relating to the 2 cheapies vs 1 better mic question. Spaced Pair Angled. Sometimes they need to be out front, high, low, wide spaced pair, mono, etc. With the positioning of overheads: Hi Guys, My question is mainly in regards to spaced pair. Recorderman. The “Recorderman” technique is a close-overhead technique that attempts to put both mics equidistant from both the snare and the kick drum. One mic stands about 32'' above the snare, pointing straight down, while the other sits over the drummer’s right shoulder, pointing at the snare. Done … … The matched pair anal retentiveness is primarily for commercial studios where time=money and sonic consistency/quick setup are important factors. In fact, these differences can be extreme. Cheers!
So, take the middle of snare drum and the front of the kick drum head, and imagine theres a vertical plane, almost a halfway point of the kit. I was hoping with the recorderman setup being closer and capturing more of the kit sound, I could maintain proper phase and take out more of the room from the OH's (I will be … The Blumlein Microphone Technique.
But if the room does sound good, M-S is a great way to combine a dry, direct sound -- the Mid mic -- with as much room ambience as suits the rest of the production. The Recorderman technique is probably the newest and least-known technique here, although it is conceptually similar to the overhead configuration of Glyn Johns' more-famous approach. I was also able to identify which mics were the Lautens and Telefunkens in the Recorderman test, but the Teles surprised me in the Spaced Pair test.
It’s great for setting up any sort of phase-coherent spaced pair overheads. The ITDs and IIDs between the microphones will be substantial. The overheads are Oktava MK012s. Step 3: For a spaced (or AB) pair, you can use any pickup pattern, but omnis give the most even spectral balance. In the diagram below, a pair of spaced N8s sit above a drum kit. The “recorderman” configuration is incredibly simple and Marc does a great job of explaining it in the video. The kick and snare positions are really a matter of moving the mics until you achieve a sound that you like. Moving the mic on the snare can be the solution if you are hearing to much “ring,” or if the drum is too tubby.
Of course this can be avoided with careful placement and measurement. 1. 15 years. In the image above I’m using the Partially Corrected Spaced Pair along with a single center mic. Spaced Pair. You … Also, overheads I see more … It is … i had always done a hard left/right pan with the overheads until i read an article recently that suggested a tighter spacing made for a more realistic soundstage (something like 10 and 2 o'clock). IMO the so-called "glynn johns" and "recorderman" mic positioning couldn't produce more different results.
Es la misma técnica que la anterior, con la única diferencia que se ajustan los micrófonos un par de grados para dar un sonido más centrado, pero igual de efectivo. anonymous 29 March 2002 overhead , panning , drum panning , drum , i was wondering how you guys pan the drum overheads. A. I guess I will take the time to try both x/y and spaced pair with the u67's (producer has requested LDC for overheads and my only other choice is 414's). #trademark. Microphone Type. 8 mics.
Share Reply Quote. IMO the so-called "glynn johns" and "recorderman" mic positioning couldn't produce more different results. Try using the Recorderman method.
So you should still go for a spaced pair.
Great, battery life, moveable microphones for 90° XY or extra-wide 120° stereo and an additional pair of line inputs on a 1/8″ jack make this a simple field recorder a long-time favourite.
Set the angle between them to anywhere from 90 to 135 degrees, and point your two-mic rig towards the sound source (using a stereo bar to mount them keeps things simple).
The recording on the iPad was similar to the iPhone except that a low-cut filter was obvious. While you do tend to get a wider stereo image with a spaced pair set, phase can be a little more difficult. The … … There is some compression added. Try a spaced pair with the mics about six feet high, four to five feet apart and pointing straight down at the floor, or an ORTF pair centred above the middle of the kick drum … SIDEWAYS SPACED PAIR. The FOK is a CAD M37. Other stereo drum recording techniques to learn about include the Glyn Johns method, Recorderman, and Mid-Side. 间隔摆位（Spaced Pair） 两个话筒相隔一定距离放置在套鼓或房间的两侧，从而将套鼓分为左右两边。 这将为你提供最宽的立体声像，但也会令立体声中心的底鼓和军鼓难 … Then it uses directional mics, like with X/Y recording, so it should pick up less of … drum overhead panning. Deal with it! The "recorderman" has the right mic up over the drummers right shoulder, pointing down at the snare. The were recorded through Behringer pres (on a mixer) into an M-Audio delta 1010 using Sonar. The second mic is positioned lower down, …
Both recorders allow you to record in either a 90 or 120 degree stereo pattern. But what’s even easier … Both Tascam’s DR-40x ($172) and DR-44WL ($201, WiFi option) as well as Zoom’s refreshed H4n Pro ($199) offer 4-track recording with an important new feature set: two … The method starts with taking your first overhead mic and placing it about 3 to 4 feet … I want to create the width of a spaced pair, but I like the natural panning of the Recorderman technique. Spaced pair recording can deliver a … Make sure you check the specs for sampling frequency and bit rate, handled by the analog-to-digital (A/D) converter. It ensures any close mics on the kick and snare are in … The were recorded through … Spaced pairs have the potential to be wider-sounding, and you might find that it's easier to reduce the contribution of the snare in the overheads, which may or may not be desirable. Generally speaking, the higher the number, … Match the gains of the two mics. ... then place the other based on a similar measured technique as the glyn jones/recorderman technique.
It’s … Put up a 603 pair and a single Schoeps mk41 at the same position on a nylon … Lives for gear. "glynn johns" has the right mic off to the … With 8 mics, two ideal setups might be: 2 overheads, kick, snare, 2 toms and 2 rooms, or the same, but only using 1 room mic and instead move the other room mic to the knee position. I prefer room mics anyday compared to applying reverb - if the room sounds usable that is of course. So its the Sideways Spaced Pair. The microphones are physically spaced apart, like with A/B recording, which will yield a wider stereo image. In … The mics you use, the song, arrangement, kit, drummer's style all play significant roles in determinig how you record.
I demonstrate two popular drum overhead mic techniques, the Recorderman and the Spaced Pair. "glynn johns" has the right mic off to the side of the floor tom, pointing across it to the snare. A pair of cardioids can normally fit under the lid of a piano (using an A75M Universal Mic Mount) allowing you to close the lid and reduce bleed; Recording. That is a "Modified Spaced Pair" the Recorderman method with a FOK about 3' out.
By placing two microphones several feet apart, a wide stereo image can be achieved. As with the iPhone, the recordings were a little noisier than the dedicated recorder, but would be … The mics you use, the song, arrangement, kit, drummer's style all play significant roles in determinig how you record. LOTs of drum-miking advice all over this site and many others; just check YouTube for "Glyn Johns" and "Recorderman Method" for a few simple/minimalistic drum miking … The more I read about OH drum Micing the more I read that both mics should be the … XY provides the advantage of being able to capture a true stereo image that is 100% mono compatible. Option one: Two condenser microphones Polar response: Cardioid; Example: Shure SM81; Option two: Two condenser microphones Polar response: … The Spaced Pair. Recorderman’s approach accomplishes 3 things: It places the snare and kick drums in the center of the stereo image. For the spaced pair method all you need to do is take one mic and put it above the high hat and snare looking down, and the other mic above the ride and floor tom side looking down. The mic is placed directly above the snare 42”, and is the darker green mic. So this technique is one of my own, and I don't know what to call it. It requires two One area where the D50’s durability is superior to the H4n is in the microphones themselves. Glyn Johns or spaced pair will never give you a crisp definition of the hat the way XY or ORTF will. Dunno, it just sounds more natural to me. 15 years. Current Recommendations – fall of 2014 (approximate street price in USD): Compact, convenient, take-everywhere recorder: Sony PCM-M10 ( Transom review) – $240. We used the Glyn Johns method on the drums for this project and it really worked well.
Using a Blumlein pair configuration is also 100% mono compatible, but captures … 9th August 2016 #10. bushwick. 12 mics. I will most likely NOT be going Glyn Johns or Recorderman because I will have close mics on all drums and several room mics. … The kit is a 3 piece KC DrumWorks kit with Zildjian cymbals. Several adjustments may be necessary to achieve the proper ballance.
Audio Quality. In fact, these … Recorderman technique may work but the hats may sound too bright due to reflections from the ceiling. It’s not a tutorial, but rather a demonstration of MY mix process. If the capsules are …
Sometimes they need to be out front, high, low, wide … You may … The FOK is a CAD M37.